Category Archives: Movies

Movie Review: “Lincoln”

lincoln

Pam and I saw “Lincoln” today. That makes two Lincoln movies this year, though this, if I may make a wild guess, was probably more historically accurate than “Abraham Lincoln: Vampire Hunter.”

Some thoughts.

  • Daniel Day Lewis–great choice! Looked so much like Lincoln.
  • Interesting, taking just a sliver or his presidency to cover in the movie. Nothing grand or sweeping.
  • I’ve not read about this piece of history–the passage of the 13th amendment. I found the movie fascinating, but I can’t speak to its accuracy. I’m assuming Spielberg stayed true to the actual story. Haven’t heard critics saying otherwise.
  • Sally Field was superb. So was Tommy Lee Jones. And David Straithairn. In fact, there was not a bad performance.
  • The beginning battle scene was fascinating–nasty, chaotic, probably a lot like the real thing. I’d love to see Spielberg direct a Civil War battle movie.
  • I liked the lumbering gait Lewis gave to Lincoln. There was a scene toward the end, where he walks away from the camera, where this was especially pronounced.
  • Loved the stories Lincoln told. Especially the one about George Washington’s picture in the bathroom. And the “true north” story.
  • It was a very human–and believable–Lincoln. Sitting in a chair with his socked feet sticking up. Crawling around on the floor to stir up a fire. Sitting in a chair motionless, deep in thought. His unruly hair. The shouting match with Mary.
  • My goodness, Congressmen spoke nasty to each other back then!
  • The legal and pragmatic realities, entanglements, and dilemmas that Lincoln faced were daunting, and explained pretty well. Like the various issues surrounding the Emancipation Proclamation as a purely wartime measure, and what would happen to slaves once peace returned. Lincoln had some truly enormous issues to wrestle with.
  • I loved the opening scene with the two black soldiers, and how they worked in the Gettysburg Address. Nice touch.
  • I really liked the scene sitting with Grant before the surrender, and then the Appamatox Courthouse scene.
  • An interesting surprise with Thaddeus Stevens at the end.
  • I totally did not recognize James Spader in his role. Gloria Reuben, either.

This was a thinking person’s movie. Very little action. The plot basically involved political wranglings and arm-twisting, and discussions of highly important issues wrapped in dilemmas. I highly recommend the movie, and won’t be surprised if some actors, starting with Day-Lewis, win Oscars.

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Boom Time for Ewoks

Now that Disney owns Lucasfilm and Star Wars, does that mean we’ll soon have Jar Jar Binks walking around Disney theme parks, scaring little children?

On the other hand, it will be a jobs bonanza for little people, as they line up to apply to be Ewoks and Yoda. Plus, someone will have a great post-NBA career as Chewbacca.

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The Worst Death Scene Ever

This scene, from a Turkish martial arts movie from the mid-1970s, “Karate Girl,” is considered the worst movie death scene ever. Watch it, and know that this scene cannot possibly be unseated from its throne.

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Well, It was Worth a Shot

In the movie “Independence Day,” Jeff Goldblum and Will Smith, using a laptop, insert a virus into the alien mothership, disabling their communications system and saving the earth.

Question: What if the aliens had installed Norton Utilities? Did Jeff Goldblum think of that?

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Movie: “Rock of Ages”

L-r: Russell Brand, Julianne Hough, Mary J. Blige, Catherine Zeta-Jones, Tom Cruise, Paul Giamatti, Alec Baldwin, Malin Akerman, Diego Boneta (click to enlarge).

When I saw the trailer to “Rock of Ages,” I knew it was a must-see movie for me. I’ve always been partial to musicals, especially rock musicals. “Rock of Ages” delighted me in every respect.

For me, the plot of musicals is almost insequential, which explains my fondness for “Rocky Horror Picture Show.” I just love seeing talented people perform good songs. I never get tired of “Grease” (1978) or “Blues Brothers” (1980). The 2000s have seen some really enjoyable, and sometimes critically acclaimed, musicals: “Chicago” (2002), “Phantom of the Opera” (2004), “Rent” (2005), “Hairspray” (2007), “Enchanted” (2007), and “Mamma Mia!” (2008). At least, those are the ones I’ve seen. (I don’t count 2003’s “School of Rock” as a musical. It’s about music, but not a musical.)

“Rock of Ages,” like many movie musicals, originated as a Broadway show–in this case, a fairly recent one, debuting in 2006. It’s got a high-calibre cast, especially with Tom Cruise in the role of rock god Stacee Jaxx. If it’s a Broadway show, you can expect the quality of music to be very high. “Rock of Ages,” however, doesn’t use original music. Nearly every song is from the 1980s, mostly power ballads from big-hair bands. But they give the songs some neat twists, including a few excellent mash-ups a la Glee.

Here’s the plot.

Hough and Boneta singing.

Sherrie (Julianne Hough), an innocent girl from Oklahoma, arrives in Hollywood to chase her not-quite-defined dreams. It’s 1987. She lands a waitressing job at the Bourbon Room, a rock nightclub/concert venue. There she meets fellow worker Drew (Diego Boneta), who has dreams of rock stardom. Their relationship is the core of the movie.

Dennis (Alec Baldwin) owns the Bourbon, and Lonny (Paul Brand) manages it. They are “close,” and very old school when it comes to rock. Dennis is a throwback to the 60s, with his long salt-and-pepper hair and general unkempt appearance. The Bourbon is struggling financially.

Stacee Jaxx (Tom Cruise) is a rock legend, lead singer for Arsenal. He’s giving his final Arsenal concert at the Bourbon Room before going solo. Dennis hopes the concert can get them out of the hole. Paul Giamatti plays Stacee’s sleazy manager, who “discovers” Drew when Drew fills in as a warm-up act.

Rolling Stone reporter Constance Sack (Malin Akerman) comes to the Bourbon to do a story on Stacee, and a love-hate relationship blooms. Their relationship is a second storyline.

Catherine Zeta-Jones plays Patricia Whitmore, wife of the Los Angeles mayor. She’s determined to shut down the Bourbon, and has a personal vendetta against Stacee Jaxx. That’s a third, but minor, storyline.

So, you want to know: can Tom Cruise sing? Yes he can, and he sang a lot. He made a very credible rock singer. This is the type of musical where people can break into song at any moment. The first time Tom Cruise did that, it caught me by surprise. But he did a good job.

I was hoping Cruise wouldn’t have a cringe-worthy voice, like Pierce Brosnan in “Mama Mia!” Brosnan left me in fetal position, banging my head on the theater floor, beseeching God to make it stop. This particular James Bond could NOT sing. But Ethan Hunt, from Mission Impossible, redeemed the singing superspy.

The Broadway version, I understand, played Stacee Jaxx as an overweight slob, modeled after a latter-day David Lee Roth. The movie presented a totally different Stacee Jaxx. Cruise played him as a spaced-out, seemingly drug-addled (without the drugs) exhibitionist mouthing inanities. I thought it was a superb performance. And when Jaxx was performing on stage, I had little doubt that Cruise himself could probably go on tour.

There is no nudity or obscenity. However, there is sex, or at least wild passion, done in a somewhat comical way. And there is plenty of sexual innuendo. Stacee Jaxx oozes, and is surrounded by, sexuality. And there seemed to be a lot of kissing scenes.

Tom Cruise notwithstanding, Julianne Hough is really the lead character. She won the Mirror Ball trophy twice on Dancing with the Stars, and then struck out to become a country singer, a career which turned out so-so in a Kelly Pickler kind of way. But acting is where Hough belongs. She gave her dancing skills a major workout in 2011’s remake of “Footloose,” and “Rock of Ages” spotlights her singing ability. She lacks the powerful voice of rocker chics like Joan Jett or Pat Benatar, but it worked very well in this musical. And then there’s the whole “innocent girl” look which made her perfect for this part.

Tom Cruise as Stacee Jaxx.

The movie begins with Hough’s character arriving in LA on a bus. She begins singing Night Ranger’s “Sister Christian,” and then the bus driver chimes in, then a passenger, and before long, the whole sleepy bus is singing along. It’s a great opening scene, which quickly morphs to Drew singing at the Bourbon Room. Diego Boneta, a Mexican-born actor, can really sing. I liked his chemistry with Julianne Hough, and their voices meshed well.

Catherine Zeta-Jones dominated the few scenes she was in. The most memorable was a song-and-dance number in a church, “Hit Me With Your Best Shot,” where she rallies church women against the evils of rock music. Later in the movie, she’s part of an excellent mash-up of “We Built This City” and “We’re Not Gonna Take It” (Russell Brand leading the “We Built This City” part).

I should mention, positively, the perfomances of Malin Akerman (a Swedish model, actor, and former lead singer for a rock group), and Mary J. Blige, owner of the exotic-dancing Venus Club. Akerman’s interplay with Cruise is, oddly, fascinating. Blige’s role is not developed, but it’s a pleasure to hear her sing. Also, British comic Russell Brand (he of the recent divorce from popstar Katy Perry) also had a terrific part.

My favorite mash-up was Hough and Boneta singing “Juke Box Hero” (from Foreigner) interspersed with Baldwin and Russell singing “I Love Rock ‘n’ Roll.” Very enjoyable and fun.

I counted three songs by Foreigner, and two each from Poison, Journey, and Twisted Sister. For the sake of the movie, we had to pretend that Drew wrote “Don’t Stop Believin'” (“Just a smalltown girl, living in a lonely world…”), well-known as pretty much the Glee theme song (which they mash with another Journey song, “Any Way You Want It”).

Other bands that contributed songs included Joan Jett, Guns & Roses, Pat Benatar, Warrant, Bon Jovi, Whitesnake, REO Speedwagon, the Scorpions, Starship, Extreme, and Quarterflash. Pat Benatar’s “Hit Me With Your Best Shot” was released in 1979, but every other song came from the 1980s (a couple of them later than 1987, when the story took place).

“Rock of Ages” was high energy most of the way, and all three plotlines were engaging. The climactic concert scene was not quite as climactic as it could have been, but I’m not complaining too much. I would eagerly watch “Rock of Ages” again, and I’m sure that when it reaches TV and I happen upon it while channel-surfing, I’ll stop and get sucked right in.

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Movies We Saw in 2011

Pam and I saw more movies in 2011 than I thought. Here’s the list of 2011 releases that we saw (though a few we saw on video). They are ranked, with my favorites first.

  1. Real Steel
  2. Girl with the Dragon Tattoo
  3. War Horse
  4. Footloose
  5. Captain America
  6. Adjustment Bureau
  7. Hanna
  8. X-Men First Class
  9. Super 8
  10. I Am Number 4
  11. Cowboys and Aliens
  12. Mission Impossible: Ghost Protocol
  13. Thor
  14. Source Code
  15. Twilight: Breaking Dawn Part 1
  16. Battle: Lost Angeles
  17. The Way Back
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Movie: Twilight Breaking Dawn, Part 1

Pam and I have really liked the Twilight movies, based on the books by Stephanie Meyer. Pam read all of the books, too.

The fourth and last book is Breaking Dawn. With the franchise coming to an end, the studio decided to milk it by making two books out of Breaking Dawn. The result was a movie in which hardly anything happened. There’s a wedding, a honeymoon, a pregnancy, lots of fussing with feelings of regret and guilt, and then a minor confrontation between vampires and werewolves.

They kept the moodiness of the other movies. But nothing,  just nothing, happened. I guess all the good stuff is in the second half of the book.

I will say this: the end, the very final scene, the last few seconds–that was really good. But if I wasn’t a big fan of the series, I might have wanted my money back.

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Review: “Footloose” 2011

The 2011 update of “Footloose” not only follows the plot of the 1984 version, but pays respectful homage to the original in various ways–from the sameness of the characters, to Ren’s attire at the concluding dance, and to the final dance shot, which is taken right from the original.

Yet, it’s also a different movie. In the 1984 movie, Bomont is a town that is simply behind the times; dancing was never allowed. But the 2011 version begins with a high-energy teen dance in Bomont. Five teens, who had been drinking, leave the dance and are killed in a head-on with a semi. That prompts the town to over-react by outlawing a wide range of activities in an effort to protect their children. Dancing and loud music are casualties.

Three years later, Boston boy Ren McCormack arrives in town to live with an aunt and uncle following the death of his mother (in the original, his family simply moved to Bomont). He arrives with plenty of angst and pent-up grief which, in this story of big-city boy comes to backwards small town, easily carries the appearance of rebellion. There’s a lot of James Dean here.

Kevin Bacon and Lori Singer, from the 1984 version.

The role of Ren made Kevin Bacon famous. This time, Ren is played by Kenny Wormald, whose previous acting credits include pretty much nothing. He’s not near the actor Bacon was, but boy, can he dance! He didn’t need a double, like Bacon did. However, a complaint: whereas you saw the joy of dancing in Bacon (and his double), Wormald’s dancing was much more serious. But alas, I’m being petty. I loved watching Wormald dance.

Julianne Hough, of Dancing with the Stars fame, did well in the role of Ariel Moore, the preacher’s daughter. She was more of a wild child than Lori Singer’s Ariel in the original, but there was a reason for that. Again, Singer was a better actress, but Hough can really dance–though this movie seemed more interested in eye candy than in showcasing her dancing ability.

Chris Penn killed with the role of Willard in the original…as did Miles Teller in the remake. That one’s a wash, if not tilted toward Teller.

Dennis Quaid had the misfortune of following John Lithgow in the role of Rev. Shaw Moore. He gave a strong performance (in the remake, Moore’s son was among the five teens killed). However, Lithgow absolutely nailed the role and defined it. I remember when Quaid played Doc Holliday in the movie “Wyatt Earp,” which came out the same summer as “Tombstone,” a movie in which Val Kilmer totally blew me away with his Doc Holliday. Quaid is condemned to be a commendable second.

They found a high-powered actress in Andie McDowell to play the minister’s wife. Dianne Wiest was far better in that role, as were her scenes with daughter Ariel and with her husband. McDowell played pretty much the same character, with the same scenes, but she succeeded in coming across as terribly bland.

Back to the story.

  • We’re in Georgia this time, not Utah.
  • There is, again, a jealous boyfriend of Ariel–in this case, a car racer.
  • The tractor race is replaced (poorly) with a bus race.
  • The “angry dance” scene takes place in a cotton gin.
  • There’s the fight scene before the final dance, with some nice twists to it (two girls beat the crap out of one of the bad guys).
  • There are blacks–many of them–in the update, but no racism themes, which was nice.
  • The final dance is simply a fall dance, not a prom.
  • The theme song is performed, well, by Blake Shelton instead of Kenny Loggins.
  • They used a lot of the same music, but with very high energy dancing.
  • The dancing in the remake is superb.

In short, the 2011 Footloose embraces everything good about the original, but updates it for today’s audiences.

One scene they left out, and which I was waiting for, came at the end of the original. It was when Rev. and Mrs. Shaw drove out to a place overlooking where the dance was being held and had a sweet scene together. They skipped that, and I missed it. I’ll bet they actually filmed it, but decided to cut it from the final release. Look for it in the DVD extras.

The 1984 Footloose is a classic, no doubt about it. The 2011 version is in no way a classic. But it stays true to the story of the original, and in so many ways pays tribute, recognizing it as a classic. It does what a remake should–updates a great story for a new generation. Too many directors get way too clever trying to inject their own twists on the plot. Director Craig Brewer–I commend your restraint.

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Superman Without Shorts

Comicbook Superman and movie Superman wore red shorts. But not (far right) the new Superman. For shame.

I learned today, much to my shock and dismay, that the new Superman won’t be wearing shorts. You know, those tiny red shorts he wears outside of his blue uniform, for some unknown but no doubt very important reason.

A new Superman m0vie is coming. They are, as they say, “rebooting” the franchise, like they did with Batman and the Hulk. Why they decided to remove his shorts, I don’t know. It seems unAmerican. Somebody should inform Michelle Bachman, so she could get the Tea Party riled up about it.

Superman has ALWAYS worn those red shorts. Can he still, truly, be Superman? Although, from a practical standpoint, I suppose it did take a little extra time, in that cramped phone booth, to pull on those shorts and get them situated properly. But still.

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Movie: The Way Back

“The Way Back,” released in 2011, is based on the 1956 book “The Long Walk,” by Slavomir Rawicz. I don’t know why they changed the name. They weren’t going “back,” because they were going to India, rather than “back” to Poland. It was just a long, long walk. But I’m sure some studio executive had infallible rationale.

I read “The Long Walk” in 2010, and reviewed it in July 2010. It was quite an astounding book of determination and endurance. During World War 2, a group of seven prisoners in a Siberian prison camp, most of them sentenced for political crimes against the paranoid Russian state, escape and head toward freedom in British-governed India. That meant traveling 4000 miles through a big piece of Russia, Mongolia, Tibet, and finally India. They circled Lake Baikal, traversed the Gobi Desert (where 2 of them died), and journeyed across the Himalayas. Truly amazing stuff.

They were never chased, never really threatened except by the elements and starvation. So I expected the movie to inject a relentless pursuit by a sadistic prison-camp commander. But director Peter Weir stayed true to the book. It was just the story of their long walk. Or way back to wherever.

The lead character was played by Jim Sturgess, an actor I wasn’t familiar with; he did very well. Colin Farrell played a violent, tattooed criminal who hooks up with the political prisoners; this character was not in the book, but was added for some dramatic (and I would say harmless) effect. Then there was Ed Harris, who played an American engineer, “Mr. Smith,” who went to Russia during the Depression to work on the subway system, and ended up being imprisoned. This was one of the more interesting characters in the book, and in the film.

Then there was Saoise Ronan, a young Irish actress who is taking the world by storm, and deservedly so. She played Elena, a Polish girl who was sent to a Siberian women’s camp, and escaped. The male escapees–most of them Polish–stumble upon her. In the book, Elena proved to be a delightful addition to the group, bringing cheer and hope. Ronan brought out that quality perfectly. I was pleased.

Of the eight characters in the group, I would say only four of them are well drawn. The others are pretty much indistinguishable.

The movie states at the beginning that only three persons emerged from the Himalayas. So you know something happens to the other 5 persons. The movie doesn’t play it true-to-the-book with some of them, but I didn’t feel it hurt the story’s essence.

What I didn’t like was the ending. At the movie’s start, the Russians torture Rawicz’ wife into accusing him of being a spy. Throughout the movie, Rawicz wants to get back to his wife and personally forgive her, knowing that she would live in torment until he could do that. But none of this is in the book. The way Peter Weir rushed through decades of Soviet occupation and brought the movie to a conclusion…it was contrived, and didn’t work for me.

But still, this was a great story, right up there with “Endurance,” the story of the Shackleford expedition to Antarctica. It wasn’t a great movie, but it’s an amazing tale. However, to really understand the depths of the ordeal they went through, read the book. The movie only touches the surface.

Having said all that–there is dispute about the accuracy of Rawicz’ story, that it never actually happened. That he was released in 1942 in a general amnesty of Poles in the USSR and sent to Iran. I was concerned, in the book, that nothing has been heard of the other trek survivors. But I leave this controversy to others.

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